6 minutes
جمهوری اسلامی در جریان جنگ اخیر با وعدههای مالی، فشارهای امنیتی و اسکان جنگزدگان در هتلها، عدهای را برای شبگردیها و تجمعات خیابانی بسیج کرده؛ تجمعاتی که بهجای نمایش وحدت، به ابزاری برای تسویهحسابهای سیاسی و حمله به صداهای منتقد و حامیان دیپلماسی تبدیل شده است.
جمهوری اسلامی در جریان جنگ اخیر با وعدههای مالی، فشارهای امنیتی و اسکان جنگزدگان در هتلها، عدهای را برای شبگردیها و تجمعات خیابانی بسیج کرده؛ تجمعاتی که بهجای نمایش وحدت، به ابزاری برای تسویهحسابهای سیاسی و حمله به صداهای منتقد و حامیان دیپلماسی تبدیل شده است.
7 minutes
Russian–Armenian tycoon Samvel Karapetyan claimed Prime Minister Nikol Pashinyan has been speaking under the influence of mushrooms.
Russian–Armenian tycoon Samvel Karapetyan claimed Prime Minister Nikol Pashinyan has been speaking under the influence of mushrooms.
9 minutes
A series of lawsuits argues an obsolete profit-sharing system is subsidizing industrial dairy farms.
A series of lawsuits argues an obsolete profit-sharing system is subsidizing industrial dairy farms.
11 minutes
Um cidadão português que estava a bordo da "Flotilha Global Sumud para Gaza" interceptada por Israel há uma semana ao largo da Grécia quando estava a caminho da Faixa de Gaza acusa Israel de o ter torturado. Em declarações à agência Lusa, Nuno Gomes denunciou as agressões que sofreu e criticou a postura do Estado português que apesar de reconhecer formalmente o Estado da Palestina, continua a manter relações com Israel.
Um cidadão português que estava a bordo da "Flotilha Global Sumud para Gaza" interceptada por Israel há uma semana ao largo da Grécia quando estava a caminho da Faixa de Gaza acusa Israel de o ter torturado. Em declarações à agência Lusa, Nuno Gomes denunciou as agressões que sofreu e criticou a postura do Estado português que apesar de reconhecer formalmente o Estado da Palestina, continua a manter relações com Israel.
11 minutes
A commercial fisherman in Kodiak will plead guilty to stealing 16 yellow cedar trees from the Tongass National Forest in Southeast Alaska. Mitchell Keplinger, charged with theft of government property in April, was scheduled to appear in U.S. District Court for the District of Alaska on Wednesday for his formal arraignment. Keplinger signed a plea […]
11 minutes
A commercial fisherman in Kodiak will plead guilty to stealing 16 yellow cedar trees from the Tongass National Forest in Southeast Alaska. Mitchell Keplinger, charged with theft of government property in April, was scheduled to appear in U.S. District Court for the District of Alaska on Wednesday for his formal arraignment. Keplinger signed a plea […]
12 minutes
At this year’s Biennale di Venezia, one of the most prestigious and celebrated international cultural events, Somalia was selected to establish its inaugural pavilion. Commissioned by Somalia’s government, it marks an important opportunity to present the beauty and richness of Somali culture, particularly at a time in which Somali people have been under attack by the president of the world’s leading superpower, Donald Trump. It also offers a chance to transcend the entrenched divisions within the Somali territories, which reached a boiling point via the Israeli–Somaliland recognition agreement in December 2025, calling into question matters of Somali sovereignties territorial boundaries, and neocolonialism in the Horn.Saddaxleey<$href>https://www.somaliapavilion.so/Somali poetry and proverbs<$href>https://www.somaliapavilion.so/utilizing scent, sound, and vision<$href>https://www.somaliapavilion.so/The Somalia pavilion thematic motif is, the triadic form of—. It focuses on three strands of art: first, textiles, painting, and materials (illustrated by Somali Swedish artist Ayan Farah); second, film and performance (represented by UK-based Somali Danish multidisciplinary artist Asmaa Jama); and third, poetry and the oral tradition (helmed by renowned poet Somali British Warsan Shire). What seems progressive on its surface — the selection of women artists as embodiments of Somali artistry — conceals significant oversights by the pavilion’s curatorial team.leveled a robust critique<$href>https://www.instagram.com/p/DXFTja9CJ59On Thursday, April 9, 2026, Warbixinta Cidda, a collective of queer Somali artists, curators, and culture workers, in conjunction with artists operating in the Somali territories and diaspora,of the pavilion as a purported representation of Somali culture. They released a public statement detailing their objections to the pavilion, which include: the overrepresentation of the Somali diaspora, who constitute the featured artists and the sole Somali curator (Stockholm-based Mohamed Mire); the advisory board composed entirely of Somali men; and perhaps most egregiously, the selection of an Italian cocurator of the pavilion, instead of the numerous Somali curators whose expertise could have been showcased.Ahead of the Somalia pavilion’s opening on May 9, I spoke to Warbixinta Cidda about their critique and the ethical responsibility artists and culture workers have when claiming to represent their national culture on the world stage.Yasmin DualehWhat is it about the Somalia pavilion that specifically led to the mobilization of the collective of fellow artists and their statement?Yasmin DualehPietrangelo Buttofuoco, has had a long-standing strong relationship to the Italian far-right<$href>https://www.theguardian.com/artanddesign/2023/nov/18/venice-biennale-rightwing-director-pietrangelo-buttafuocoThe presence of the Somalia pavilion taking place on Italian soil required the authorization of the festival’s management board to participate. The Biennale’s current president,and neo-fascist movements, including to Prime Minister Giorgia Meloni. How do we reconcile the establishment of a Somalia pavilion, in light of the Horn of Africa’s history of Italian colonialism and the festival’s current leadership?Yasmin DualehIn your statement, you raise the matter of the inclusion of Fabio Scrivanti, a former project manager for Venice Art Factory, as one of the two curators for the pavilion. You note that the selection of Scrivanti is affront to Somali curatorial expertise, squandering a great opportunity to promote the myriad of Somalis doing this work at home and in diaspora. Would you like to speak to the implications of this selection?Yasmin DualehdalkeenaAs a Somali group of artists, cultural workers, and organizers collective bridging the gulf between diaspora and(our homeland), you highlighted the absence of Somalis working and building the artistic landscape in the Somali territories in the pavilion’s featured artists and curatorial team. What is lost via this absence, and what does a diasporic care ethic look like within artistic production, particularly for Somalis?Yasmin DualehThe lack of a transparent call for participation or consultancy of Somali artists and artistic collectives leaves the pavilion’s team open to charges of cronyism and casts doubt over whether it can truly be considered a form of national representation. What lessons can be learnt from the pavilion? Can you suggest core principles that can guide future efforts to represent Somali art and culture internationally?Yasmin DualehWhat has the response to your statement been from Somalis interested in and involved in the art world?Yasmin DualehWhat has the response been from the broader Somali artistic community in the aftermath of your statement?Warbixinta Ciddawalaal/geeddow from Wabixinta Cidda saw the pavilion being announced on March 20th and was surprised. He assumed that there was a boycott of the event, as the genocidal settler-colonial apartheid state is platformed with their pavilion; there was not, but people were protesting the “Israeli” pavilion. Additionally, they shared the shocking revelation of the Somali curator, Maxamed Mire, inviting an Italian colonizer as a cocurator, so this what initially sparked the mobilization. As soon as we shared this news with fellow artists, one of them, namely Dahab, rightfully pointed out the lack of artists based in the Somali regions, and another fellow artist mentioned that the people in decision-making positions including the cultural advisors are all men.Warbixinta Ciddaborder protection” work that Frontex does<$href>https://english.elpais.com/international/2023-06-02/reconstruction-of-a-shipwreck-how-italy-and-frontex-could-have-prevented-over-90-deaths-in-cutro.htmlOne of the reasons we were unsettled by the announcement was the fact that this exhibition is taking place in a country that indeed caused our people so much suffering and violence. We don’t believe in representation for representation’s sake. Moreover, in this case it would actually obfuscate both Italy’s violent history and the current iteration of it, which as you mentioned, the current far-right and neo-fascist government is a big part of. We all know the deadly “with support of European governments, which has caused so many Afrikans, especially Black Afrikans, their lives. And the Italian government will surely flaunt this so-called global inclusion, while denying the violent past. Enabling them to benefit from the same history of colonial subjugation they refuse to be held accountable for.Warbixinta CiddaIt is already bad enough when Black Afrikans are forced to work with white colonizers because white art institutions demand it. It is so much worse when a Black person goes out of their way to not only include a colonizer, but give them curatorial credit.HOY<$href>https://www.instagram.com/hoyexhibition/fankeena iyo farshaxankeenacadaanWe don’t want to get into “proving” that we indeed have capable curators. This is not the first time that Maxamed Mire did this; there is an exhibition calledwhich was the first contemporary art exhibition held at the National Museum of Somali in Xamar (Mogadishu) since the civil war. The same colonizer was credited as a cocurator at this exhibition as well — so Maxamed Mire has been actively supporting this colonizer’s shift into curation on the backs of(oral artistry, writing, visual artistry, and crafts) which thisdoes not know anything about.Warbixinta CiddaMonday, April 13<$href>https://www.instagram.com/p/DXFTja9CJ59intimidation and coercion<$href>https://www.instagram.com/p/DXR7PrciIBK/?igsh=cDA1ZzA4NmVobmhrWe would like everyone to go read the very powerful statement from a group of artists, cultural workers, and independent arts institutions based in the Somali regions, which was published on. They lay out very clearly how they were sidelined in every aspect, while the exhibition claims to be representative of Somali artistry and artistic forms. Since the release of their statement, they have been subject to, which they addressed in their most recent communication.When it comes to the role us Somalis in the diaspora should play, we would argue that it is essential to not reproduce the extractive and exclusionary practice that the colonizers engaged in and still do when it comes to our people back home. Instead we must actually engage and center the work of the Somali artists back home. We absolutely do not have enough knowledge of what is actually relevant to the artists creating art back home and how their artistic practice has developed and been nourished.Warbixinta CiddaqashinThe incident surrounding this(trash) pavilion and the pattern that has led up to it has shown the necessity of having a robust ethic as diaspora artists, collectives, and organizers as a proactive practice. We will be publishing a manifesto of points in the near future, with the idea that other Black people are free to use it for their artistic practices.A few things that are very important to us in our practices [are as follows]:cadaan● not working with colonial institutions and(whites/Europeans)● not allowing our work to be used to artwash genocide and other atrocitiescadaan raac● being critical of those engaged in(deferral to whiteness) that want to represent the Black experience● making sure that we always strive for creating spaces that not only center Black people but are Black and exclusively Black● enfranchising artists of African ancestry in artistic spaces so that we have greater autonomy to produce and exhibit our artWarbixinta CiddaWe have not received any response from the organizers of the pavilion, and they have not engaged with our public statement. However, they have been trying their best to vilify and discredit everyone involved in writing this statement. More specifically, they have even tried to use the fact that Warbixinta Cidda is a queer Somali collective against us, in an attempt to deny our right to our artistic heritage. With this, the organizers of the pavilion are reinforcing and reproducing colonial violence. We believe that the three artists who are centered in this exhibition — namely, Ayan Farah, Asmaa Jama, and Warsan Shire — have a huge responsibility to address the critiques publicly and to be transparent about how much of the unethical practices of the organizers they have been aware of.Warbixinta CiddaIt has been disheartening and enraging to see the majority of Somali artists in the diaspora either be silent or actively defend this colonizer and the other unethical practices of the people behind the pavilion. The harsh responses to our public critique were, mostly, if not entirely, by Somali artists based in the diaspora. They accused us of creating division, foul tactics, and engaging in critique for the sake of critique. They reduced valid critique to jealousy and regurgitated talking points based on scarcity. We saw artists that immediately identify with and have sympathy for the three artists that are centered in this exhibition. We have heard people say — publicly and privately — that it is important and necessary to make concessions.Saddaxleey<$href>https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.academia.edu%2F34004738%2FThe_Brief_History_of_Maymuna_Hassan_Biyow_Her_Life_and_Literay_Work&data=05%7C02%7Cyd293%40cam.ac.uk%7C77bde653de484848ab9408de9efa8d7c%7C49a50445bdfa4b79ade3547b4f3986e9%7C1%7C0%7C639122996126925614%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=GvzEVgR0GnIWhQZh9xYmz4HaKLRMbH23MavtXqUL9Nk%3D&reserved=0Silsiladii Deeley<$href>https://www.mixcloud.com/RedLightRadio/xusuus-pt1-red-light-radio-01-05-2019/It is an insult to our anticolonial ancestors. Somali artists have historically been critical of those in power and used their art as resistance, even when they were subjected to imprisonment and torture. We recall the historic Somali artists who produced powerful work under violent colonial occupation, such as Timiro Cukaash, Makaay Garaare, Xaawa Jibril and Maymuuna Biyow, who is famous for the(the three-part Somali form that is used in Somali poetry), from which this pavilion has the audacity to choose as its title. And in more recent history, artists like Saado Cali Warsame, who was imprisoned and gave birth to her daughter Xuriyo (freedom), because she took part in the poetry chain. May they all rest in peace, love, and power.Ladan Osman’s example<$href>https://www.instagram.com/p/DXGQDDJjNvT/caddaannimoAll artists that have been or will be invited to engage with this pavilion should followby declining the invitation and sharing this publicly.We call on Somali artists in the diaspora to reject(whiteness) and cowardice practice and instead to tap into their ancestors’ courage.We end by invoking the righteous words of Maymuuna Biyow:“gaal manoo islaam wadin nama soo galeen”(the colonizer would not be in our midst if he wasn’t accompanied by one of us)<$id>sec-1<$xmlns><$type>xhtml
12 minutes
At this year’s Biennale di Venezia, one of the most prestigious and celebrated international cultural events, Somalia was selected to establish its inaugural pavilion. Commissioned by Somalia’s government, it marks an important opportunity to present the beauty and richness of Somali culture, particularly at a time in which Somali people have been under attack by the president of the world’s leading superpower, Donald Trump. It also offers a chance to transcend the entrenched divisions within the Somali territories, which reached a boiling point via the Israeli–Somaliland recognition agreement in December 2025, calling into question matters of Somali sovereignties territorial boundaries, and neocolonialism in the Horn.Saddaxleey<$href>https://www.somaliapavilion.so/Somali poetry and proverbs<$href>https://www.somaliapavilion.so/utilizing scent, sound, and vision<$href>https://www.somaliapavilion.so/The Somalia pavilion thematic motif is, the triadic form of—. It focuses on three strands of art: first, textiles, painting, and materials (illustrated by Somali Swedish artist Ayan Farah); second, film and performance (represented by UK-based Somali Danish multidisciplinary artist Asmaa Jama); and third, poetry and the oral tradition (helmed by renowned poet Somali British Warsan Shire). What seems progressive on its surface — the selection of women artists as embodiments of Somali artistry — conceals significant oversights by the pavilion’s curatorial team.leveled a robust critique<$href>https://www.instagram.com/p/DXFTja9CJ59On Thursday, April 9, 2026, Warbixinta Cidda, a collective of queer Somali artists, curators, and culture workers, in conjunction with artists operating in the Somali territories and diaspora,of the pavilion as a purported representation of Somali culture. They released a public statement detailing their objections to the pavilion, which include: the overrepresentation of the Somali diaspora, who constitute the featured artists and the sole Somali curator (Stockholm-based Mohamed Mire); the advisory board composed entirely of Somali men; and perhaps most egregiously, the selection of an Italian cocurator of the pavilion, instead of the numerous Somali curators whose expertise could have been showcased.Ahead of the Somalia pavilion’s opening on May 9, I spoke to Warbixinta Cidda about their critique and the ethical responsibility artists and culture workers have when claiming to represent their national culture on the world stage.Yasmin DualehWhat is it about the Somalia pavilion that specifically led to the mobilization of the collective of fellow artists and their statement?Yasmin DualehPietrangelo Buttofuoco, has had a long-standing strong relationship to the Italian far-right<$href>https://www.theguardian.com/artanddesign/2023/nov/18/venice-biennale-rightwing-director-pietrangelo-buttafuocoThe presence of the Somalia pavilion taking place on Italian soil required the authorization of the festival’s management board to participate. The Biennale’s current president,and neo-fascist movements, including to Prime Minister Giorgia Meloni. How do we reconcile the establishment of a Somalia pavilion, in light of the Horn of Africa’s history of Italian colonialism and the festival’s current leadership?Yasmin DualehIn your statement, you raise the matter of the inclusion of Fabio Scrivanti, a former project manager for Venice Art Factory, as one of the two curators for the pavilion. You note that the selection of Scrivanti is affront to Somali curatorial expertise, squandering a great opportunity to promote the myriad of Somalis doing this work at home and in diaspora. Would you like to speak to the implications of this selection?Yasmin DualehdalkeenaAs a Somali group of artists, cultural workers, and organizers collective bridging the gulf between diaspora and(our homeland), you highlighted the absence of Somalis working and building the artistic landscape in the Somali territories in the pavilion’s featured artists and curatorial team. What is lost via this absence, and what does a diasporic care ethic look like within artistic production, particularly for Somalis?Yasmin DualehThe lack of a transparent call for participation or consultancy of Somali artists and artistic collectives leaves the pavilion’s team open to charges of cronyism and casts doubt over whether it can truly be considered a form of national representation. What lessons can be learnt from the pavilion? Can you suggest core principles that can guide future efforts to represent Somali art and culture internationally?Yasmin DualehWhat has the response to your statement been from Somalis interested in and involved in the art world?Yasmin DualehWhat has the response been from the broader Somali artistic community in the aftermath of your statement?Warbixinta Ciddawalaal/geeddow from Wabixinta Cidda saw the pavilion being announced on March 20th and was surprised. He assumed that there was a boycott of the event, as the genocidal settler-colonial apartheid state is platformed with their pavilion; there was not, but people were protesting the “Israeli” pavilion. Additionally, they shared the shocking revelation of the Somali curator, Maxamed Mire, inviting an Italian colonizer as a cocurator, so this what initially sparked the mobilization. As soon as we shared this news with fellow artists, one of them, namely Dahab, rightfully pointed out the lack of artists based in the Somali regions, and another fellow artist mentioned that the people in decision-making positions including the cultural advisors are all men.Warbixinta Ciddaborder protection” work that Frontex does<$href>https://english.elpais.com/international/2023-06-02/reconstruction-of-a-shipwreck-how-italy-and-frontex-could-have-prevented-over-90-deaths-in-cutro.htmlOne of the reasons we were unsettled by the announcement was the fact that this exhibition is taking place in a country that indeed caused our people so much suffering and violence. We don’t believe in representation for representation’s sake. Moreover, in this case it would actually obfuscate both Italy’s violent history and the current iteration of it, which as you mentioned, the current far-right and neo-fascist government is a big part of. We all know the deadly “with support of European governments, which has caused so many Afrikans, especially Black Afrikans, their lives. And the Italian government will surely flaunt this so-called global inclusion, while denying the violent past. Enabling them to benefit from the same history of colonial subjugation they refuse to be held accountable for.Warbixinta CiddaIt is already bad enough when Black Afrikans are forced to work with white colonizers because white art institutions demand it. It is so much worse when a Black person goes out of their way to not only include a colonizer, but give them curatorial credit.HOY<$href>https://www.instagram.com/hoyexhibition/fankeena iyo farshaxankeenacadaanWe don’t want to get into “proving” that we indeed have capable curators. This is not the first time that Maxamed Mire did this; there is an exhibition calledwhich was the first contemporary art exhibition held at the National Museum of Somali in Xamar (Mogadishu) since the civil war. The same colonizer was credited as a cocurator at this exhibition as well — so Maxamed Mire has been actively supporting this colonizer’s shift into curation on the backs of(oral artistry, writing, visual artistry, and crafts) which thisdoes not know anything about.Warbixinta CiddaMonday, April 13<$href>https://www.instagram.com/p/DXFTja9CJ59intimidation and coercion<$href>https://www.instagram.com/p/DXR7PrciIBK/?igsh=cDA1ZzA4NmVobmhrWe would like everyone to go read the very powerful statement from a group of artists, cultural workers, and independent arts institutions based in the Somali regions, which was published on. They lay out very clearly how they were sidelined in every aspect, while the exhibition claims to be representative of Somali artistry and artistic forms. Since the release of their statement, they have been subject to, which they addressed in their most recent communication.When it comes to the role us Somalis in the diaspora should play, we would argue that it is essential to not reproduce the extractive and exclusionary practice that the colonizers engaged in and still do when it comes to our people back home. Instead we must actually engage and center the work of the Somali artists back home. We absolutely do not have enough knowledge of what is actually relevant to the artists creating art back home and how their artistic practice has developed and been nourished.Warbixinta CiddaqashinThe incident surrounding this(trash) pavilion and the pattern that has led up to it has shown the necessity of having a robust ethic as diaspora artists, collectives, and organizers as a proactive practice. We will be publishing a manifesto of points in the near future, with the idea that other Black people are free to use it for their artistic practices.A few things that are very important to us in our practices [are as follows]:cadaan● not working with colonial institutions and(whites/Europeans)● not allowing our work to be used to artwash genocide and other atrocitiescadaan raac● being critical of those engaged in(deferral to whiteness) that want to represent the Black experience● making sure that we always strive for creating spaces that not only center Black people but are Black and exclusively Black● enfranchising artists of African ancestry in artistic spaces so that we have greater autonomy to produce and exhibit our artWarbixinta CiddaWe have not received any response from the organizers of the pavilion, and they have not engaged with our public statement. However, they have been trying their best to vilify and discredit everyone involved in writing this statement. More specifically, they have even tried to use the fact that Warbixinta Cidda is a queer Somali collective against us, in an attempt to deny our right to our artistic heritage. With this, the organizers of the pavilion are reinforcing and reproducing colonial violence. We believe that the three artists who are centered in this exhibition — namely, Ayan Farah, Asmaa Jama, and Warsan Shire — have a huge responsibility to address the critiques publicly and to be transparent about how much of the unethical practices of the organizers they have been aware of.Warbixinta CiddaIt has been disheartening and enraging to see the majority of Somali artists in the diaspora either be silent or actively defend this colonizer and the other unethical practices of the people behind the pavilion. The harsh responses to our public critique were, mostly, if not entirely, by Somali artists based in the diaspora. They accused us of creating division, foul tactics, and engaging in critique for the sake of critique. They reduced valid critique to jealousy and regurgitated talking points based on scarcity. We saw artists that immediately identify with and have sympathy for the three artists that are centered in this exhibition. We have heard people say — publicly and privately — that it is important and necessary to make concessions.Saddaxleey<$href>https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.academia.edu%2F34004738%2FThe_Brief_History_of_Maymuna_Hassan_Biyow_Her_Life_and_Literay_Work&data=05%7C02%7Cyd293%40cam.ac.uk%7C77bde653de484848ab9408de9efa8d7c%7C49a50445bdfa4b79ade3547b4f3986e9%7C1%7C0%7C639122996126925614%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=GvzEVgR0GnIWhQZh9xYmz4HaKLRMbH23MavtXqUL9Nk%3D&reserved=0Silsiladii Deeley<$href>https://www.mixcloud.com/RedLightRadio/xusuus-pt1-red-light-radio-01-05-2019/It is an insult to our anticolonial ancestors. Somali artists have historically been critical of those in power and used their art as resistance, even when they were subjected to imprisonment and torture. We recall the historic Somali artists who produced powerful work under violent colonial occupation, such as Timiro Cukaash, Makaay Garaare, Xaawa Jibril and Maymuuna Biyow, who is famous for the(the three-part Somali form that is used in Somali poetry), from which this pavilion has the audacity to choose as its title. And in more recent history, artists like Saado Cali Warsame, who was imprisoned and gave birth to her daughter Xuriyo (freedom), because she took part in the poetry chain. May they all rest in peace, love, and power.Ladan Osman’s example<$href>https://www.instagram.com/p/DXGQDDJjNvT/caddaannimoAll artists that have been or will be invited to engage with this pavilion should followby declining the invitation and sharing this publicly.We call on Somali artists in the diaspora to reject(whiteness) and cowardice practice and instead to tap into their ancestors’ courage.We end by invoking the righteous words of Maymuuna Biyow:“gaal manoo islaam wadin nama soo galeen”(the colonizer would not be in our midst if he wasn’t accompanied by one of us)<$id>sec-1<$xmlns><$type>xhtml
12 minutes
Curtea de Apel Cluj a decis schimbarea regimului juridic al celor șase inculpați arestați preventiv în dosarul de corupție instrumentat de Direcția Națională Anticorupție Cluj privind contracte publice derulate în cadrul Consiliul Județean Bistrița-Năsăud. Patru dintre inculpați au fost plasați în arest la domiciliu, iar doi au fost plasați sub control judiciar.
12 minutes
Curtea de Apel Cluj a decis schimbarea regimului juridic al celor șase inculpați arestați preventiv în dosarul de corupție instrumentat de Direcția Națională Anticorupție Cluj privind contracte publice derulate în cadrul Consiliul Județean Bistrița-Năsăud. Patru dintre inculpați au fost plasați în arest la domiciliu, iar doi au fost plasați sub control judiciar.
14 minutes
Dominion Energy is aiming to expand their portfolio of energy sources in Virginia with a massive 3,000 megawatt (3 gigawatts) combined cycle natural gas plant in Cumberland County. The utility is now preparing to seek state and local regulators’ approval of the plant, slated to be operational in less than 10 years. The plant will […]
Dominion Energy is aiming to expand their portfolio of energy sources in Virginia with a massive 3,000 megawatt (3 gigawatts) combined cycle natural gas plant in Cumberland County. The utility is now preparing to seek state and local regulators’ approval of the plant, slated to be operational in less than 10 years. The plant will […]
14 minutes
Militantes históricos do Movimento dos Trabalhadores Rurais Sem Terra (MST) serão homenageados em uma sessão solene na Câmara Municipal do Rio nesta sexta-feira (8) pelo compromisso com a reforma agrária, a segurança alimentar e a agroecologia. A cerimônia acontece a partir das 18h, por iniciativa do mandato da vereadora Maíra do MST (PT). Os agraciados […] Fonte
14 minutes
Militantes históricos do Movimento dos Trabalhadores Rurais Sem Terra (MST) serão homenageados em uma sessão solene na Câmara Municipal do Rio nesta sexta-feira (8) pelo compromisso com a reforma agrária, a segurança alimentar e a agroecologia. A cerimônia acontece a partir das 18h, por iniciativa do mandato da vereadora Maíra do MST (PT). Os agraciados […] Fonte
14 minutes
Mehrere Abgeordnete haben im Innenausschuss des Europaparlaments Aufklärung über Europols unregulierte Datenanalyse gefordert. Auslöser war eine Recherche von CORRECTIV und weiteren Medien.
14 minutes
Mehrere Abgeordnete haben im Innenausschuss des Europaparlaments Aufklärung über Europols unregulierte Datenanalyse gefordert. Auslöser war eine Recherche von CORRECTIV und weiteren Medien.
16 minutes
Hoy, jueves 7 de mayo, se celebra el Día Mundial de la Contraseña. Se estableció en 2013 con el objetivo de concientizar sobre la importancia de crear contraseñas complejas. Así que, por favor, no use el famoso 123456 ni Admin123. Vámonos a las noticias. En 20 segundos: ⚽ ️ La afición del San Diego FC […]
Hoy, jueves 7 de mayo, se celebra el Día Mundial de la Contraseña. Se estableció en 2013 con el objetivo de concientizar sobre la importancia de crear contraseñas complejas. Así que, por favor, no use el famoso 123456 ni Admin123. Vámonos a las noticias. En 20 segundos: ⚽ ️ La afición del San Diego FC […]
16 minutes
«У районі пункту базування «Каспийск» (Каспійськ, Республіка Дагестан, РФ) уражено багатоцільовий малий ракетний корабель проекту 22800 «Каракурт», – зазначили в командуванні ЗСУ
«У районі пункту базування «Каспийск» (Каспійськ, Республіка Дагестан, РФ) уражено багатоцільовий малий ракетний корабель проекту 22800 «Каракурт», – зазначили в командуванні ЗСУ
16 minutes
(The Center Square) – U.S. Rep. Danny Davis’ deputy director has been indicted on federal fraud charges. Prosecutors say Gerard C. Moorer, 42, filed fraudulent applications for Pandemic Unemployment Assistance and received $31,887 in benefits to which he was not entitled while he was employed by Davis, D-Chicago. Moorer ran for the Illinois House in 2020 but lost in the Democratic Party primary. MAN CHARGED AFTER ALLEGED CROSSBOW INCIDENT A man is facing charges after he allegedly pointed a crossbow at police officers in Decatur on April 22. Prosecutors say Michael Boliard, 54, of Decatur was injured when officers discharged their firearms in response. Boliard was arrested on Tuesday after he was released from the hospital. ISP MEMORIAL PARK HOSTS CEREMONY TO HONOR FALLEN OFFICERS Illinois State Police and the Illinois State Police Heritage Foundation held their first annual Memorial Park ceremony in Springfield on Wednesday, in honor and remembrance of all the ISP officers who died in the line of duty. The ISP Memorial Park was completed in 2018. SERVICES TO BE HELD FOR CHICAGO OFFICER BARTHOLOMEW Services will be today and Friday for Chicago Police Officer John Bartholomew, who was allegedly killed by a seven-time convicted felon on April 25. Visitation is scheduled from 2 p.m. to 8 p.m. today at St. Andrew’s Greek Orthodox Church on Chicago’s North Side, with a prayer service to begin at 6:30 p.m. A funeral service will be at 10 a.m. on Friday, also at St. Andrew’s. ###
(The Center Square) – U.S. Rep. Danny Davis’ deputy director has been indicted on federal fraud charges. Prosecutors say Gerard C. Moorer, 42, filed fraudulent applications for Pandemic Unemployment Assistance and received $31,887 in benefits to which he was not entitled while he was employed by Davis, D-Chicago. Moorer ran for the Illinois House in 2020 but lost in the Democratic Party primary. MAN CHARGED AFTER ALLEGED CROSSBOW INCIDENT A man is facing charges after he allegedly pointed a crossbow at police officers in Decatur on April 22. Prosecutors say Michael Boliard, 54, of Decatur was injured when officers discharged their firearms in response. Boliard was arrested on Tuesday after he was released from the hospital. ISP MEMORIAL PARK HOSTS CEREMONY TO HONOR FALLEN OFFICERS Illinois State Police and the Illinois State Police Heritage Foundation held their first annual Memorial Park ceremony in Springfield on Wednesday, in honor and remembrance of all the ISP officers who died in the line of duty. The ISP Memorial Park was completed in 2018. SERVICES TO BE HELD FOR CHICAGO OFFICER BARTHOLOMEW Services will be today and Friday for Chicago Police Officer John Bartholomew, who was allegedly killed by a seven-time convicted felon on April 25. Visitation is scheduled from 2 p.m. to 8 p.m. today at St. Andrew’s Greek Orthodox Church on Chicago’s North Side, with a prayer service to begin at 6:30 p.m. A funeral service will be at 10 a.m. on Friday, also at St. Andrew’s. ###
17 minutes
Llegase a donde llegase la embarcación, hubiese sido Canarias u otro país, “lo que hay que hacer es aplicar unos protocolos de control de los casos y de los posibles contactos”, señala a Science Media Centre España Mar Faraco, expresidenta y actual secretaria de la Asociación de Médicos de Sanidad Exterior (AMSE) y jefa de Servicio de Sanidad Exterior en Huelva, quien recuerda que la infección por hantavirus “es muy difícil que se contagie de persona a persona”. Por su parte, Amós García, exjefe de servicio de Epidemiología y Prevención de la Dirección General de Salud Pública del Servicio Canario de Salud, expresidente de la Asociación Española de Vacunología (AEV) y, hasta su jubilación en 2024, miembro del Grupo Permanente para Europa de la OMS, añade que, en un contexto como este, “es clave llevar el mensaje de tranquilidad a una población que está suficientemente angustiada y tiene demasiado cerca el recuerdo de aquella situación sanitaria tan terrible que fue la pandemia”. Faraco afirma que “lo ideal” sería desembarcar a los enfermos y a los casos sospechosos (por mostrar síntomas) con precaución, aislamiento, contando con ambulancias especialmente preparadas y con equipos de protección. Sobre el resto de contactos, recomienda valorar los casos en los que pueda haberse dado un contacto muy estrecho (como el haber compartido un mismo camarote o haber pasado mucho tiempo juntos). “Podría valorarse también una cierta cuarentena”, añade. En los casos de contacto “casuales”, que no tienen síntomas, recomienda que “cada uno se vaya a su casa en un medio de transporte normal y vigile síntomas”. En caso de que estos aparezcan, “ir al hospital o centro de referencia, decir que viene de este caso” y que, una vez ahí, se valore. El motivo es que, aunque el riesgo cero no existe, este actualmente es muy bajo. Aun así, incide en que se trata de una decisión de salud pública “con muchos factores a considerar”. “Se está aprovechando esta situación para que las redes sociales difundan un mensaje absolutamente terrorífico sobre los riesgos que podemos tener si el barco atraca en Canarias que, sin lugar a duda, tiene por finalidad aterrorizar a la población”, advierte García, quien explica que esta situación “no tiene absolutamente nada que ver con la covid”. El Ministerio de Sanidad está haciendo un seguimiento estrecho, junto con la Organización Mundial de la Salud y otros países implicados, de la situación del buque en el que se han detectado casos de infección por hantavirus.— Ministerio de Sanidad (@sanidadgob) May 5, 2026 ">El Ministerio de Sanidad está haciendo un seguimiento estrecho, junto con la Organización Mundial de la Salud y otros países implicados, de la situación del buque en el que se han detectado casos de infección por hantavirus.— Ministerio de Sanidad (@sanidadgob) May 5, 2026
Llegase a donde llegase la embarcación, hubiese sido Canarias u otro país, “lo que hay que hacer es aplicar unos protocolos de control de los casos y de los posibles contactos”, señala a Science Media Centre España Mar Faraco, expresidenta y actual secretaria de la Asociación de Médicos de Sanidad Exterior (AMSE) y jefa de Servicio de Sanidad Exterior en Huelva, quien recuerda que la infección por hantavirus “es muy difícil que se contagie de persona a persona”. Por su parte, Amós García, exjefe de servicio de Epidemiología y Prevención de la Dirección General de Salud Pública del Servicio Canario de Salud, expresidente de la Asociación Española de Vacunología (AEV) y, hasta su jubilación en 2024, miembro del Grupo Permanente para Europa de la OMS, añade que, en un contexto como este, “es clave llevar el mensaje de tranquilidad a una población que está suficientemente angustiada y tiene demasiado cerca el recuerdo de aquella situación sanitaria tan terrible que fue la pandemia”. Faraco afirma que “lo ideal” sería desembarcar a los enfermos y a los casos sospechosos (por mostrar síntomas) con precaución, aislamiento, contando con ambulancias especialmente preparadas y con equipos de protección. Sobre el resto de contactos, recomienda valorar los casos en los que pueda haberse dado un contacto muy estrecho (como el haber compartido un mismo camarote o haber pasado mucho tiempo juntos). “Podría valorarse también una cierta cuarentena”, añade. En los casos de contacto “casuales”, que no tienen síntomas, recomienda que “cada uno se vaya a su casa en un medio de transporte normal y vigile síntomas”. En caso de que estos aparezcan, “ir al hospital o centro de referencia, decir que viene de este caso” y que, una vez ahí, se valore. El motivo es que, aunque el riesgo cero no existe, este actualmente es muy bajo. Aun así, incide en que se trata de una decisión de salud pública “con muchos factores a considerar”. “Se está aprovechando esta situación para que las redes sociales difundan un mensaje absolutamente terrorífico sobre los riesgos que podemos tener si el barco atraca en Canarias que, sin lugar a duda, tiene por finalidad aterrorizar a la población”, advierte García, quien explica que esta situación “no tiene absolutamente nada que ver con la covid”. El Ministerio de Sanidad está haciendo un seguimiento estrecho, junto con la Organización Mundial de la Salud y otros países implicados, de la situación del buque en el que se han detectado casos de infección por hantavirus.— Ministerio de Sanidad (@sanidadgob) May 5, 2026 ">El Ministerio de Sanidad está haciendo un seguimiento estrecho, junto con la Organización Mundial de la Salud y otros países implicados, de la situación del buque en el que se han detectado casos de infección por hantavirus.— Ministerio de Sanidad (@sanidadgob) May 5, 2026
18 minutes
در هفتههای گذشته تنش میان جمهوری اسلامی و کشورهای شورای همکاری خلیج فارس در اثر حملات پهپادی و موشکی سپاه پاسداران، بالا گرفت
در هفتههای گذشته تنش میان جمهوری اسلامی و کشورهای شورای همکاری خلیج فارس در اثر حملات پهپادی و موشکی سپاه پاسداران، بالا گرفت
18 minutes
இந்தியப் பிரதமர் பத்திரிகையாளர் சந்திப்புகள் நடத்துவதில்லை. அவரது ஆட்சிக்குச் சாதகமாகப் பேசும் ஊடகங்களுக்கே பேட்டி அளிக்கிறார். ஆட்சிக்கு எதிராக விமர்சிக்கும் பத்திரிகையாளர்கள் பா.ஜ.க இணையதள குண்டர்களால் மிரட்டல்களுக்கும், கைது மற்றும் நேரடி தாக்குதல்களுக்கும் உள்ளாக்கப்படுகின்றனர் என்று அறிக்கை சுட்டிக்காட்டுகிறது.
இந்தியப் பிரதமர் பத்திரிகையாளர் சந்திப்புகள் நடத்துவதில்லை. அவரது ஆட்சிக்குச் சாதகமாகப் பேசும் ஊடகங்களுக்கே பேட்டி அளிக்கிறார். ஆட்சிக்கு எதிராக விமர்சிக்கும் பத்திரிகையாளர்கள் பா.ஜ.க இணையதள குண்டர்களால் மிரட்டல்களுக்கும், கைது மற்றும் நேரடி தாக்குதல்களுக்கும் உள்ளாக்கப்படுகின்றனர் என்று அறிக்கை சுட்டிக்காட்டுகிறது.
18 minutes
Ташкентте Қазақстан, Қырғызстан және Өзбекстанның су-энергетика саласындағы министрлері келіссөз жүргізіп, Қырғызстандағы Тоқтоғұл су қоймасынан мамыр-маусым айларында су жіберудің көлемі мен режимін бекітті. Бұл туралы Қазақстан энергетика министрлігі хабарлады. Хаттамаға қол қойған тараптар Тоқтоғұл СЭС-інен су жіберу кестелерінің сақтауға әрі жазда аграрлық саласын тұрақты сумен қамтамасыз ету үшін үш ел кезең-кезеңмен әрекет етуге келіскен. Үш елдің су және энергетика саласындағы...
Ташкентте Қазақстан, Қырғызстан және Өзбекстанның су-энергетика саласындағы министрлері келіссөз жүргізіп, Қырғызстандағы Тоқтоғұл су қоймасынан мамыр-маусым айларында су жіберудің көлемі мен режимін бекітті. Бұл туралы Қазақстан энергетика министрлігі хабарлады. Хаттамаға қол қойған тараптар Тоқтоғұл СЭС-інен су жіберу кестелерінің сақтауға әрі жазда аграрлық саласын тұрақты сумен қамтамасыз ету үшін үш ел кезең-кезеңмен әрекет етуге келіскен. Үш елдің су және энергетика саласындағы...
19 minutes
«Ուժեղ Հայաստան»-ի առաջնորդ Սամվել Կարապետյանի ասուլիսից կարճ ժամանակ անց Հակակոռուպցիոն կոմիտեն հայտարարեց նրա կուսակցությանը վերագրվող հերթական ընտրակաշառքի գործի մասին: Իրավապահները հայտնեցին, որ ձերբակալել են Սամվել Կարապետյանի թիմի հետ առնչություն ունեցող անձանց: Ըստ վարույթի՝ Օրենբուրգում ապրող հայ գործարարը կազմակերպել է, որ «Ուժեղ Հայաստան»-ի օգտին քվեարկելու պայմանով ընտրողներին տարատեսակ խոստումներ տրվեն՝ օրինակ, զիջեն պարտքերը, աշխատանքի ընդունեն և ընտրակաշառքի այլ...
«Ուժեղ Հայաստան»-ի առաջնորդ Սամվել Կարապետյանի ասուլիսից կարճ ժամանակ անց Հակակոռուպցիոն կոմիտեն հայտարարեց նրա կուսակցությանը վերագրվող հերթական ընտրակաշառքի գործի մասին: Իրավապահները հայտնեցին, որ ձերբակալել են Սամվել Կարապետյանի թիմի հետ առնչություն ունեցող անձանց: Ըստ վարույթի՝ Օրենբուրգում ապրող հայ գործարարը կազմակերպել է, որ «Ուժեղ Հայաստան»-ի օգտին քվեարկելու պայմանով ընտրողներին տարատեսակ խոստումներ տրվեն՝ օրինակ, զիջեն պարտքերը, աշխատանքի ընդունեն և ընտրակաշառքի այլ...
19 minutes
Israel realizou na noite de quarta-feira (6) um ataque à periferia sul de Beirute, pela primeira vez em quase um mês. Malek Ballout, comandante das operações da força al-Radwan, unidade de elite do Hezbollah, morreu durante a ofensiva, segundo uma fonte próxima ao grupo pró-Irã, apesar da trégua em vigor desde 17 de abril.
Israel realizou na noite de quarta-feira (6) um ataque à periferia sul de Beirute, pela primeira vez em quase um mês. Malek Ballout, comandante das operações da força al-Radwan, unidade de elite do Hezbollah, morreu durante a ofensiva, segundo uma fonte próxima ao grupo pró-Irã, apesar da trégua em vigor desde 17 de abril.
19 minutes
Indonesia registró un crecimiento económico del 5,6% en el primer trimestre de 2026, un ritmo superior al esperado. Pero detrás de este desempeño de la mayor economía del sudeste asiático se esconde una fragilidad cada vez más visible: la erosión de la clase media. Un fenómeno que amenaza el consumo a largo plazo, el principal motor del crecimiento del país.
Indonesia registró un crecimiento económico del 5,6% en el primer trimestre de 2026, un ritmo superior al esperado. Pero detrás de este desempeño de la mayor economía del sudeste asiático se esconde una fragilidad cada vez más visible: la erosión de la clase media. Un fenómeno que amenaza el consumo a largo plazo, el principal motor del crecimiento del país.